Helping to make stereoscopic 3D accessible to everyone
Author: Rebecca
The 4th International Stereoscopic and Immersive Media Conference's timetable is now available online. There are Keynote speakers, parallel sessions, a virtual exhibition, a short stereoscopic film festival, an auction, the launch of the Carlos Relvas' Stereo Raisonné and collector's choice short clips. All of this is online over 4 days, the 11th, 12th, 18th and 19th June 2021. You may even see some familiar faces!
To celebrate two years of The Stereoscopy Blog we're going to have a play with StereoPhoto Maker and make a panning stereoview video; these work really well on wide landscape stereoviews and are ideal for use on smartphones and social media. I'm writing it step-by-step and as there are so many steps involved you may want to bring a picnic/sleeping blanket for this one!
Join photo historian Denis Pellerin on a free online 3-D Zoom talk, 26th May 2021 19:00 BST and discover how Victorian stereographers adapted popular paintings and cartoons for the stereoscope.
The Museum of London are hosting Denis Pellerin for an online talk, exploring the history of Stereoscopic photography in Victorian London.
The article 'What is Stereoscopy and Why is it Important to Photography Today?' is now available.
A Kickstarter campaign has been launched today for the Minuta Stereo camera by Oczkostereo, aimed at bringing the magic of stereo photography back to a wider audience.
A written guide about how to get started in stereo film photography, from choosing your camera and film, to processing your results. Stereoscopic analogue 3D heaven
Photo historians, researchers, artists, curators, collectors and innovators have once again been invited to talk about their passion to explore various aspects of stereoscopy at this event.
The Keystone View Company was founded in 1892 in Meadville, Pennsylvania, U.S.A. by amateur photographer B. L. Singley (Benneville Lloyd Singley). The trade list at the end of 1892 consisted of only a hundred titles but by 1940 they had commercially produced more than 40,000 titles.
I set about scanning and digitally cleaning a little collection of unknown glass negative stereoviews, with a nice surprise!!
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