Helping to make stereoscopic 3D accessible to everyone
Tag: Photographic History
The 4th International Stereoscopic and Immersive Media Conference's timetable is now available online. There are Keynote speakers, parallel sessions, a virtual exhibition, a short stereoscopic film festival, an auction, the launch of the Carlos Relvas' Stereo Raisonné and collector's choice short clips. All of this is online over 4 days, the 11th, 12th, 18th and 19th June 2021. You may even see some familiar faces!
Photo historian Denis Pellerin blows us away yet again with his amazing research into seven French stereoscopic collodion glass negatives. He uncovers the stories of the nineteenth Century firm in the images and the photographer who took them.
Join photo historian Denis Pellerin on a free online 3-D Zoom talk, 26th May 2021 19:00 BST and discover how Victorian stereographers adapted popular paintings and cartoons for the stereoscope.
The Museum of London are hosting Denis Pellerin for an online talk, exploring the history of Stereoscopic photography in Victorian London.
Everyone experiences, at least once in their professional life, some memorable occasion, some momentous event that changes, helps or furthers their career. For the amateur stereo photographer Mr. Spencer in our story, this red-letter day took place on May 10th 1897.
The article 'What is Stereoscopy and Why is it Important to Photography Today?' is now available.
This short post will be about another image of the “genre” kind which was turned into a stereo card. The publishers were the Gaudin brothers to whom I am very partial since they were the subject of the very first book devoted to the history of photography I wrote (in French).
Photo historians, researchers, artists, curators, collectors and innovators have once again been invited to talk about their passion to explore various aspects of stereoscopy at this event.
The Keystone View Company was founded in 1892 in Meadville, Pennsylvania, U.S.A. by amateur photographer B. L. Singley (Benneville Lloyd Singley). The trade list at the end of 1892 consisted of only a hundred titles but by 1940 they had commercially produced more than 40,000 titles.
I set about scanning and digitally cleaning a little collection of unknown glass negative stereoviews, with a nice surprise!!
The Stereoscopy Blog 