I thought it'd be nice to share my small collection of glass positives taken in the Alps in the early 1900s, with a Jules Richard Verascope camera.
Photo historian Denis Pellerin blows us away yet again with his amazing research into seven French stereoscopic collodion glass negatives. He uncovers the stories of the nineteenth Century firm in the images and the photographer who took them.
Everyone experiences, at least once in their professional life, some memorable occasion, some momentous event that changes, helps or furthers their career. For the amateur stereo photographer Mr. Spencer in our story, this red-letter day took place on May 10th 1897.
The article 'What is Stereoscopy and Why is it Important to Photography Today?' is now available.
This short post will be about another image of the “genre” kind which was turned into a stereo card. The publishers were the Gaudin brothers to whom I am very partial since they were the subject of the very first book devoted to the history of photography I wrote (in French).
Rachel Nordstrom from the University of St Andrews, Scotland, Victor Flores, from Universidade Lusófona de Humanidades e Tecnologias, Lisbon, Portugal, Denis Pellerin and Rebecca Sharpe, from the London Stereoscopic Archive, England, have once again joined forces to organise this free online Zoom event which is meant to be a celebration of Stereoscopic 3D. They have invited photo historians, researchers, artists, curators, collectors and innovators to talk about their passion to explore various aspects of stereoscopy.
The Keystone View Company was founded in 1892 in Meadville, Pennsylvania, U.S.A. by amateur photographer B. L. Singley (Benneville Lloyd Singley). The trade list at the end of 1892 consisted of only a hundred titles but by 1940 they had commercially produced more than 40,000 titles.
I set about scanning and digitally cleaning a little collection of unknown glass negative stereoviews, with a nice surprise!!
The Classic Photo Magazine have recently launched their new online resource 'The Classic Platform' which features a number of fascinating photographic and stereoscopic history articles and papers which they can't fit into their twice-yearly magazine.
Photo historian Denis Pellerin has researched and uncovered the strange story of Brighton photographer 'Monsieur Albert Boucher'. Beautifully Illustrated with stereoviews from 'the photographer himself', read on to discover the unusual truth behind a photographer's name.